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Jessi Jezewska Stevens

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Nonfiction


Image: Julie Blackmon. ‘Baby Toss.’


NEW

Security in the Void: An introduction Ernst Jünger’s One the Marble Cliffs

The Paris Review

The Race to Tell (or Sell) the Right Story about Climate Change

Foreign Policy

Diane Williams’s How High?–That High

The New York Times Book Review

How the Netanyahus Explain the World

Foreign Policy

Flowers Are the Ultimate Symbols

The New Yorker

Jacqueline Rose’s On Violence and on Violence Against Women

4Columns

Lauren Oyler’s Fake Accounts

4Columns


FAVORITES FROM THE ARCHIVES

The Tangled History of Illness and Idiocy: On Covid 19 The Nation.

In the Trenches with the Colonizer: David Diop’s At Night All Blood Is Black. Foreign Policy.

Ode to Rooftops. The Paris Review Daily.

We Tell Ourselves Stories in Order to Die. The Paris Review Daily.

The Future of Work: No bleaker than it’s ever been. Harper’s Blog.

The Hidden Power of the Passive Protagonist. LitHub.

Review of Daša Drndić’s EEG. 4Columns. 

Joshua Cohen Confronts the New National Deficit in ATTENTION: Dispatches from a Land of Distraction. Los Angeles Review of Books. 

Beyond Good and (Almost) Evil: Fleur Jaeggy’s I Am the Brother of XX The Los Angeles Review of Books. 

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